Equipment

The kit behind the work.

Everything I shoot, record, edit and print with. Built up over a decade, chosen for the mountains, the weather and the quiet rooms of Ticino.

2Camera bodies
11Lenses
102Megapixels
8Audio channels
A2Print size
01

Photography

A medium format system built around landscape, panorama and long lens work. The whole lens kit lives in a hard case in the car, so the choice happens at the location rather than at home.

Cameras

  • Fujifilm GFX100 II102MP medium format. The A camera for everything, stills and video alike.
  • Fujifilm GFX100SB camera and second angle. 4K30 when a shoot needs two perspectives.

Fujinon GF lenses

  • GF 45-100mm f/4 R LM OIS WRThe most-used lens in the catalog by a wide margin. Panorama workhorse.
  • GF 20-35mm f/4 R WRWide zoom. Foreground-heavy alpine work and tight interiors.
  • GF 32-90mm T3.5 PZ OIS WRParfocal power zoom. Lives on the video rig as the one-lens solution.
  • GF 55mm f/1.7 R WRFast normal prime. Low light and separation without the weight of the 110.
  • GF 110mm f/2 R LM WRShort telephoto with the shallowest depth in the kit. Detail and portraiture.
  • GF 100-200mm f/5.6 R LM OIS WRCompact telephoto zoom. Layered ridgelines and atmospheric compression.
  • GF 500mm f/5.6 R LM OIS WRWildlife and distant alpine detail. Demands a locked-down tripod.
  • GF 30mm f/5.6 T/STilt-shift. Architecture and near-far control, carried over from years of 4x5.
  • GF 35-70mm f/4.5-5.6Compact travel zoom. Small enough to bring when weight is the deciding factor.
  • GF 1.4x TC WRTeleconverter for the 100-200 and the 500 when reach matters more than speed.
  • MCEX-45G WR extension tubeTurns the GF primes into close-focus optics for macro work.

Other glass

  • Mitakon Speedmaster 65mm f/1.4Manual fast normal. Takes over almost entirely when shooting without a brief.
  • Laowa 15mm f/4.5 Zero-D ShiftUltra-wide shift lens with the Venus Optics shift support. Distortion-free verticals.
  • Viltrox EF-GFX Pro adapterOpens the GFX mount to Canon EF glass, including fast wide-angle options.

Filters

  • Haida M15 150mm systemHolder, 95mm and 105mm adapter rings, Laowa ring and pouch. The backbone of the filter kit.
  • Haida ND 1.8 and ND 4.5Six and fifteen stops for long exposures on water and cloud.
  • Haida soft grad ND 0.9Holds back bright skies without a hard transition line.
  • Haida M15 magnetic polarizerCuts reflection off wet rock, foliage and lake surfaces.
  • KANI Black Premium Mist No.4Softens speculars and lifts blacks slightly. Used sparingly.
  • Lee SW150 #23A dark redFor black and white work, where it drops skies to near-black.
  • B+W 630/091 dark red 105mmThe round equivalent for lenses that take a screw-in filter.
  • PolarPro QuartzLine 82-CPCircular polarizer for the 82mm front elements.
  • PolarPro Goldstache 82mmWarm diffusion for backlit and golden-hour frames.
  • Dorr Vario-ND2.5-500 82mmVariable ND for run-and-gun situations where swapping glass is impractical.

Support

  • Leofoto G6 geared headPrecise, repeatable framing. Essential for stitched panorama sequences.
  • Manfrotto ONE Carbon tripodThe travel tripod. Light enough to carry all day on a hike.
  • YC Onion Pineta Pro monopodCarbon monopod with FH60S fluid head. Long lens support where a tripod will not fit.
  • Benro HD2A three-way headIndependent axis control for careful architectural alignment.
  • Sirui MS18 macro railFine focus travel for macro and focus-stacked close-ups.
  • Leofoto L-bracketsArca L-plates for the GFX bodies. Portrait orientation without re-leveling.
  • SmallRig tabletop tripodOverhead rig for coin and product work on the copy stand.

Carry

  • Nanuk 955 wheeled hard case62.5L. Holds the entire lens kit and lives in the car, so lens choice happens on location.
  • Lowepro ProTactic BP 450 AW IIIThe full-day hiking pack. Body, three lenses, filters and a tripod.
  • PolarPro RoadRunner 16LSmaller kit for short outings and travel days.
  • Peak Design carry systemSlide strap, Clip and Plate, PROpad, Micro Anchors and Tech Pouch.

Power & media

  • Lexar Professional CFexpress Type B512GB and 128GB Diamond cards, plus the RW510 reader for offload.
  • NP-W235 battery systemSmallRig USB-C and Patona cells with chargers. Enough for a full day of stills.
  • Fujifilm FAN-001 cooling fanKeeps the GFX100 II recording through long takes in summer heat.
  • Fujifilm EVF-TL1 tilt adapterAngled viewfinder for low, ground-level compositions.
  • Fujifilm RR-100 remote releaseVibration-free triggering for long exposures and timelapse.

Light

  • Godox iT32 + X5-F transmitterCompact flash and trigger for fill and small product setups.
  • Godox RGB Mini M1Pocket RGB light for accents and color separation.
  • SmallRig RM01 LED kitContinuous light for tabletop, macro and coin photography.
02

Video

The same medium format sensor, built out into a cine rig. LiDAR autofocus makes manual glass usable on the move, motorized slider and head give moves that repeat exactly, and the matte box takes the filters the stills kit already owns.

Camera rig

  • SmallRig GFX100 II cage (4201)The foundation. Everything else mounts to it.
  • 15mm LWS rod systemRods, railblocks, lens support and cheese plates for front accessories.
  • SmallRig side handles and gripTwo mini side handles plus a full grip for handheld and gimbal-free operating.
  • SmallRig CB75 base battery + VB99 ProContinuous power for the body, monitor and follow focus off one source.
  • NP-W235 dummy battery and PSUMains power for studio and long-form interview setups.

Motion control

  • Edelkrone SliderPLUS PRO v5 LongMotorized slider that travels roughly twice its own length, so a long move still packs down to something carryable.
  • Edelkrone HeadPLUS v2Motorized pan and tilt on top of the slider. Keyframed moves that repeat exactly, for multi-pass composites and motion timelapse.
  • Edelkrone Motor Module v3Drives the slider axis under load, including with the rig tilted off level.
  • Edelkrone Vertical Module v1Stands the slider upright for rise and fall moves without a jib.
  • Edelkrone Controller v2Physical controller for building and running moves with no phone in the loop.
  • Edelkrone Wired Signal Hub v1Wires the modules together so a multi-axis move stays in sync without depending on a wireless link.

Focus control

  • DJI Focus Pro Creative ComboLiDAR rangefinder, grip and motor. Makes the manual primes viable for moving subjects.
  • DJI Focus Pro second motorA dedicated zoom or iris channel alongside focus.

Heads & support

  • SmallRig DH12 video headHeavy duty fluid head rated for the loaded GFX rig.
  • Leofoto VH-30R video headLighter fluid head for travel and quick setups.

Monitoring

  • Godox GM6S Pro 4K monitor5.5in, bright enough to judge exposure and focus in open sunlight.
  • SmallRig HawkLock H21 supportQuick-release monitor arm that holds position under load.

Matte box & cine filters

  • Bright Tangerine Misfit AtomWith top flag and anti-reflective tilt bracket. Takes 4x5.65in glass.
  • PolarPro Nano matte boxSingle-stage 4x5.65in box for the lighter handheld configuration.
  • SmallRig CINE 4x5.65in ND1.8Six stops for holding shutter angle in bright conditions.
  • PolarPro CineBlack 1/2Gentle highlight bloom and a softer digital falloff.

Action & 360

  • Insta360 X5360 capture for reframing in post and for shots the main rig cannot reach.
  • Insta360 Luna UltraPocket gimbal carried on hikes, with PolarPro CINE and Vivid filter sets.
  • Mounting kitRing remote, 2-in-1 selfie stick, bike mount, neck mount and quick-release adapters.
03

Audio

Location recording, live switching and studio post, built around clean, quiet capture. 32-bit float in the field means nothing clips and nothing is lost to a wrong gain setting.

Microphones

  • Sennheiser MKH 8018Stereo shotgun. Rides on the camera rig and carries most location sound.
  • Sennheiser MKH 50Supercardioid spot mic. Soloists, dialogue and anything needing isolation.
  • Audio-Technica AT4053aHypercardioid condenser. A tight pattern for spot work and dialogue in reflective rooms.

Field recording

  • Zoom F8n ProEight channels of 32-bit float capture. The heart of every location session.
  • Tascam CA-XLR2d-FTwo channels of proper XLR input straight into the Fujifilm body.
  • Tentacle Sync E mkIIFour units. Timecode across every camera and the recorder, so sync is never a post problem.
  • Rycote blimp and windjammerWind protection for the shotgun outdoors. The difference between usable and unusable location sound.

Studio & monitoring

  • PreSonus Studio 192The desk interface. Preamps, conversion and monitor control for tracking and mixing.
  • Audeze LCD-XC CarbonClosed-back planar, run balanced. There are no monitors here - every mix is made on these.
  • Beyerdynamic DT 770The on-site pair. Isolation and durability matter more in a hall than the last word in detail.

Live & streaming

  • Blackmagic ATEM Mini Pro ISOFour-input switcher with ISO recording of every source, so a live stream still leaves a proper multi-camera edit behind.
  • Elgato Stream DeckMacro surface mapped to switcher, session and delivery shortcuts.

Racks & power

  • Thon 5006 6U desktop rackKeeps the interface and patching at arm's reach on the desk.
  • Millenium Steel Box 6Two 6U steel racks for the rest of the rack gear and cable runs.
  • Adam Hall PCL 10 ProPower conditioning and distribution. Quiet rails, no ground hum.
04

Music & Software

Where the arrangement work for ZREO: Second Quest happens, and where every photograph and frame of video is finished. The library side is deep because orchestral mockups have to convince before a real ensemble is ever booked.

Editing & post

  • PreSonus Studio One Pro+The main DAW. Arranging, recording, mixing and mastering all live here.
  • DaVinci Resolve StudioEdit, color and delivery for every video project.
  • Adobe Creative CloudLightroom Classic for the catalog, Photoshop for finishing, After Effects for motion.

Mixing tools

  • VSL MIR Pro 3DConvolution-based orchestral positioning. Every section placed in a real hall rather than reverbed toward one.
  • FabFilter suitePro-Q, Pro-C, Pro-L, Pro-MB and the rest. The surgical end of the chain, and what most mixes actually run through.
  • SSL CompleteConsole-modeled channel strip, bus compression and metering.
  • Slate Digital All AccessAnalog emulations for color and saturation where the source needs it.
  • ADPTR Metric ABReference matching. Keeps headphone mixes honest against known masters.
  • Babylon Waves Art ConductorKeeps a large orchestral template organized and consistent.

Vienna Symphonic Library

  • The complete VSL collectionThe full catalog, from the Synchron Stage series through the Vienna Instruments collections. The deepest articulation coverage available anywhere, and the reference when a mockup has to pass for the real thing.

With thanks to Vienna Symphonic Library for their sponsorship.

Spitfire Audio

  • BBC Symphony Orchestra ProfessionalOne hall, one set of players, consistent from piccolo to contrabassoon.
  • Spitfire Symphony OrchestraBroader articulation coverage when the BBCSO runs out of options.
  • Abbey Road Orchestra seriesSectional strings and the full percussion range, recorded at Abbey Road.
  • Abbey Road Two: Iconic Strings ProA different string character for lusher, more cinematic passages.
  • Hans Zimmer StringsLarge-ensemble strings for weight and scale.
  • Appassionata StringsExpressive, vibrato-forward string writing.
  • Eric Whitacre ChoirChoral writing with the composer's own ensemble and phrasing.

Orchestral Tools

  • Berlin StringsThe flagship ensembles in full, plus Solo Strings, Con Sordino, Symphonic Strings, First Chairs, Special Bows 1 and 2, and SFX.
  • Berlin Free OrchestraA complete contemporary orchestra in one consistent room.
  • Benjamin Wallfisch StringsCinematic ensembles with real divisi writing.
  • Peteris Vasks StringsChamber strings and first chairs. The closest match to the quartet work.
  • Tides by Rachel PortmanEmotive chamber orchestra, voiced by the composer.
  • Igudesman Solo ViolinUnusual solo techniques that sampled violins normally cannot reach.
  • BeaufortVivid scoring brass from the London series.
  • GrimmMedieval instruments and soundscapes for anything folk-leaning.
  • Berlin PercussionA working selection from the flagship percussion collection, tuned and untuned.
  • Berlin Brass and Muted BrassSelected instruments from both, for colors the London brass does not cover.
  • TIME macro and TIME microChrono structures at symphonic and chamber scale. Rhythmic beds rather than melodic writing.
  • Specialist collectionsSelected instruments from Metropolis Ark 5, Tom Holkenborg's Brass, LA Sessions, Andea, Salu, Tallinn and Miroire.
  • SINEfactoryManifold, Dynamo, Gearbox, Rotary, Crux, Roads, Strand, Spindle, Ratio, Helix, Crucible, Clutch, Lucent, Mistral, Formby and Layers.

Performance Samples

  • Pacific seriesEnsemble Strings, Solo Strings, Solo Cello Legato, Brass and Woodwinds. Performance-captured playing that sits in a mix with almost no editing.
  • Con MotoViolins A and B, Violas, Cellos and Basses. Moving string writing sampled as performance rather than note by note.
  • Vista II - Solo Cello LegatoSolo cello legato with sympathetic resonance. The closest a sampler gets to a player in the room.
  • Solo Violin LegatoExpressive solo violin for exposed melodic lines.
  • Chamber Violins - Classical ShortsCrisp classical-period short articulations.
  • Fluid Shorts II and IIIFast, fluid short notes for running passages that stock spiccato cannot carry.
  • Angry Brass Pro - SoloistsAggressive solo brass for weight and menace.
  • Solos of the Sea - Solo Violin BLyrical solo violin, recorded loose and unquantized.

Other libraries

  • Soundpaint Adastra Chamber StringsSmall-ensemble strings. Closer to the quartet work than a full section.
  • Texture and specialtyOlafur Arnalds Cells, Fractured Strings, Hearth and Hollow, Hammers, Originals Cimbalom, 8Dio Deep Solo Bass.
05

Print & Storage

The end of the chain. Prints are made here rather than sent out, which means the paper choice and the print itself are part of the edit, not an afterthought.

Printing

  • Canon imagePROGRAF PRO-1100A2 pigment printer. Twelve inks, and a gamut that holds the deep shadows alpine work depends on.
  • Hahnemuhle Digital FineArt papersMatte textured 350gsm, matte smooth 310gsm and glossy 350gsm, matched to the image.

Storage & backup

  • QNAP TS-932XNine-bay NAS with 16GB RAM. The working archive - every catalog, master and delivered project lives here.
  • SanDisk Extreme Portable 4TBField offload and travel editing. Fast enough to cut from directly.
  • Backblaze offsite backupContinuous cloud copy. The third leg of a 3-2-1 backup.

This list changes. Gear gets sold, replaced and occasionally regretted, and the page is updated when it does. If you are planning a project and want to know whether something specific is covered, just ask.

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